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Ernest Hemingway’s influential short story The Killers (1927), has been adapted to film by Robert Siodmak and Andrei Tarkovsky, while Edward Hopper’s painting Nighthawks (1942) is also said to have been inspired by the story. The Killers, an omnibus film comprised of four-shorts, takes motifs from these two classics and borrows some of their imagery as mise-en-scène. The 4 directors unfold the noir world of death and waiting with different senses and sensibilities. Kim Jong-kwan’s Metamorphosis, which depicts the awakening and manifestation of power following bloodsucking; Roh Deok’s Contractors, a pyramid of contract killings and subcontracted labor; Chang Hang-jun’s Everyone is Waiting for the Man, which tracks down a ghostly figure called a mysterious killer; and Lee Myung-Se’s Silent Cinema, an allegory of his longtime dream of cinema and the world. Notably, Actor Shim Eun-kyung appears in all four films, each time in a completely different role, adding to the delight. It’s an unconventional collection of emotional, psychological, and action-oriented films.
Ernest Hemingway’s influential short story The Killers (1927), has been adapted to film by Robert Siodmak and Andrei Tarkovsky, while Edward Hopper’s painting Nighthawks (1942) is also said to have been inspired by the story. The Killers, an omnibus film comprised of four-shorts, takes motifs from these two classics and borrows some of their imagery as mise-en-scène. The 4 directors unfold the noir world of death and waiting with different senses and sensibilities. Kim Jong-kwan’s Metamorphosis, which depicts the awakening and manifestation of power following bloodsucking; Roh Deok’s Contractors, a pyramid of contract killings and subcontracted labor; Chang Hang-jun’s Everyone is Waiting for the Man, which tracks down a ghostly figure called a mysterious killer; and Lee Myung-Se’s Silent Cinema, an allegory of his longtime dream of cinema and the world. Notably, Actor Shim Eun-kyung appears in all four films, each time in a completely different role, adding to the delight. It’s an unconventional collection of emotional, psychological, and action-oriented films.
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